Got the tickets? Yes, but then—you said you borrowed?” “I did, too,” said Ann Veronica. A traffic of copious barges slumbered over the face of the river-barges either altogether stagnant or dreaming along in the wake of fussy tugs; and above circled, urbanely voracious, the London seagulls. This man and he were alike, and about the same age. "Oh! Jack! Jack!—you little know what a price I've paid for you!" "Well, I'm glad those women are gone," remarked Shotbolt. 1 through 1. CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. “More than that, he arrived to-day at the boarding-house where I am staying, greeted me with a theatrical start, and claimed me—as his wife. He winced from the wasp-like sting. Perhaps these few words were the first real conscious words he had uttered in days. To reach the door they had to pass the end of the table, and behind the chair where Mr. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. " The two janizaries followed him as far as the entrance to the inner room, when Abraham, raising his finger to his lips, and glancing significantly in the direction of the boys, to explain his intention to his companions, closed the door after them, and stole softly back again, planting himself near the recess. “You!” she exclaimed.
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