“You can look as innocent and shocked as you please. I rarely set foot in London these days. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. But he had always felt (he had never allowed himself to think of it) that the promptitude of their family was a little indelicate of her, and in a sense an intrusion.
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