“Go on!” she commanded. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. “You must have heard—have you—oh, tell me, won’t you?” she begged.
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