When the word “FREAK” appeared scratched in the persimmon colored paint on her locker, she knew that in some fragile young woman’s mind a war had escalated from imaginary to physical. But before the child could be committed to her care, it was wrested from the carpenter by Rowland. But at this point he was still subservient, still outwardly humble, in spite of the blackhearted villainy that was even then burgeoning in his breast.
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